Contributions to the biannual publication Cora Ginsburg: Costume Textiles Needlework, 2016–2025. For the most recent, see 100 Years of Textile Design: Part I. 1880–1930, Cora Ginsburg LLC, last modified March 31, 2025, https://coraginsburg.com/publications/48-2025-100-years-of-textile-design.-part-i.-18801930/.
“Europe: A Tale of Clouded Silk,” in Rosemary Crill, ed., Global Ikat: Roots and Routes of a Textile Technique (London: Hali Publications, 2023).
“Cultural counterplay between Lyon and Florence : Louis Carrand, Renaissance Arts and the Bargello Bequest,” in Anne Lepoittevin, Emmanuel Lurin and Alain Mérot, eds., Florence, ville d’art, et les Français : la création d’un mythe, Centre André Chastel (Rome: Campisano Editore, 2022).
“Althea McNish, Obituary,” Text: The Journal of the Textile Society (November 2020).
Contributions on 19th– and 20th-century French decorative arts and design in Clive Edwards, ed., The Bloomsbury Encyclopedia of Design (London: Bloomsbury, 2015).
“Furnishings and Factory Life in the Modern Metropolis,” and “’The Harper Establishment,” in David Jaffee, ed., Visualizing 19th-Century New York (New York: BGC, 2014), https://visualizingnyc.org/.
Ulrich Leben, Deborah Krohn, and Danielle Kisluk-Grosheide, eds., Salvaging the Past: Georges Hoentschel and French Decorative Arts from The Metropolitan Museum of Art, exh. cat. (New Haven and London: Yale University Press with Bard Graduate Center, 2013), cat. nos. 75-117, 136, 137, 156, 160-62.
Martina A. D'Amato 